- нужны для обработки как звуков так и вокала. Такие как: Компрессоры, Ревербераторы, Эффекты для искажения звука, Фильтры, глитчи, максимайзеры, лимитеры, эквалайзеры, анализаторы и многие другие эффекты
Plugin Alliance - V.R. Plugins Bundle [WIN x64 x86] (NO INSTALL, SymLink Installer) Plugin Alliance LLC– based in Wilmington, Delaware with offices in Santa Cruz, California– is far more than just a web site. Plugin Alliance is a new “Über-standard”, supporting all major plugin formats and uniting some of the best-known international audio companies under one, virtual roof. Plugin Alliance empowers world-renowned analog hardware companies with a digital strategy and provides software developers with services that allow them to develop products with increasing quality and quantity.
DearReality dearVR pro 1.0 - Dear Reality’s state-of-the-art algorithms have been a mainstay of 3D audio production for years. Now, for the first time, their spatial processing treasure chest has been made available in an all-in-one plugin for your DAW: dearVR pro. Say goodbye to expensive middleware, unwieldy software bundles and complex routing schemes. All the tools you need to create stunning, immersive 3D audio for virtual reality (VR) and augmented reality (AR) video, films and games are included in dearVR pro’s powerful yet fast and intuitive interface. fiedler-audio stage 1.0 - fiedler audio has a reputation for setting new standards. Two years after developing the revolutionary reverberation algorithm at the heart of Brainworx’s bx_rooms, they have once again redefined the world of acoustical enhancement with stage – a plugin that uses trailblazing stereo-spatial processing methods to take good mixes and masters, and make them great.
Lindell 354E 1.0 - The Lindell 354E is a multiband model of the most famous vintage diode bridge compressor, the Neve 2254E, precisely replicating its distinctive behavior and rich sonic character in each of its three bands. But in practical use, the 354E really is two compressors in one: Turn on its Nuke mode to radically shape individual tracks, and turn it off for lighter, more nuanced compression when mastering or for surgical mixing. Both modes yield the same lush coloration and smooth presence that made the 2254E one of the most revered and highly sought after compressors in the world.
Unfiltered Audio Dent 2.0 - It’s time to go deeper with your sound – way deeper. Sure, you’ve made your tracks sound nice – balanced the levels, added just the right EQ – maybe you even performed all the music. But that’s only the beginning. You want to get inside those waveforms, to tinker and explore, to realize your track’s potential and draw out a sound that had only existed between your ears. It’s time to get to know Dent 2.
Unfiltered Audio Fault 1.1 - No other plugin has the comprehensive ability to manipulate pitch and time like Fault. Whether used at mixdown to fortify weak tracks or in sound design to totally mangle instruments beyond recognition, Fault's applications are limited only by your imagination. With over 100 factory presets included – featuring settings from contributing artists like Richard Devine and Scott Kirkland from The Crystal Method – finding creative inspiration with Fault is fun and engaging. Unfiltered Audio G8 Dynamic Gate 1.3.1 - The Unfiltered Audio G8 takes dynamic sound shaping to the next level. Deceptively simple, G8 is a tool that reaches far beyond what any normal noise gate can do. While it does a great job at the usual tasks of rejecting noise and shaping transients, the MIDI in/out and alternate gating modes offered by G8 open a world of possibilities that let you forget you’re even using a ‘Gate’.
Unfiltered Audio Instant Delay 1.0 - Anyone who is familiar with Unfiltered Audio can probably guess that even a simple delay from these guys is going to be a little different. Drop Instant Delay into your standard delay returns, and it will dutifully perform all the everyday tasks you’d expect – anything from stereo echoes on a sultry vocal track to ambient delay tails on an undulating synth pad. But it’s Unfiltered’s unique creative touches that make this a must-have plugin, even if you already have a dozen different delay options at your fingertips.
Unfiltered Audio Sandman Pro 1.1.0 - Since its release, Unfiltered Audio's Sandman has wowed mix engineers, sound designers and DJs alike with its slice-and-dice genius. A delay plugin with a severe narcoleptic bent, Sandman uses its Sleep mode to freeze its delay buffer to create stunning loops and grains that can be re-pitched, down-sampled, played in reverse, dirtied with noise and modulated — transforming and mutating sounds beyond all recognition! Using very short delay times, the shape-shifting Sandman alternately becomes a flanger, stutter generator, wavetable synthesizer or percussion resonator. But Sandman also excels at producing traditional echo and stereo ping-pong effects, providing delay times ranging from slapback to longer than a coffee break.
Unfiltered Audio Sandman 1.3.0 - The Unfiltered Audio Sandman is far more than just a delay plugin; it’s a wormhole to the dreamtime states of your sounds. It’s a deceptively simple gateway to a microcosm of sonic dimensions bordering the absurd. It’s a new way to extract loops and grains from a sound that can be as close to or as far flung from the original, as you like. From the input of just a single sample, Sandman opens a Pandora’s box of endless sonic possibilities.
Unfiltered Audio SpecOps 1.0 - SpecOps is dozens of plugins in one. Inside its easy-to-use interface is a jam-packed armory containing 36 diverse and flexible spectral effects, ranging from subtle to extreme. How you use these potent tools is truly limited only by your creative imagination: transform synthesizer presets with new sonic qualities, add throbbing grunge to drum loops, fatten up instrument tracks, delicately clarify full mixes, or decimate organic instruments and vocals beyond recognition to create one-of-a-kind special effects.
Unfiltered Audio Zip 1.0 - Zip can provide both compression and downward expansion, switching between processors with one mouse click. Six Analysis modes—Amplitude, Quietness, Brightness, Darkness, Noisiness and Tonalness—spark compression or expansion depending on the signal level, frequency content or noise feeding Zip’s input. On bass guitar tracks, select Darkness mode to compress headroom-eating low notes while giving higher-pitched notes room to breathe. Using Noisiness mode, you can make Zip’s compressor clamp down only on overdriven electric guitar chords while leaving palm mutes on the same track loud and proud. Solving unusual audio challenges is child’s play for Zip.